Las óleos de todo Clarkson Frederick Stanfield
ID Image  Painting (From A to Z)       Details 
72219  
Clarkson Frederick Stanfield, Action and Capture of the Spanish Xebeque Frigate El Gamo
  		 Action and Capture of the Spanish Xebeque Frigate El Gamo   Date 1845[1] Medium Oil on canvas Dimensions Width: 183.9 cm (72.4 in). Height: 132.1 cm (52.01 in). cyf
22811  
Clarkson Frederick Stanfield, Burg Eltz (mk22)
  		 Burg Eltz (mk22)   1838 Oil on wood panel 51 x 40.5 cm Bonn,Rheinisches Landesmuseum
73288  
Clarkson Frederick Stanfield, H.M.S 'Victory' towed into Gibraltar,
  		 H.M.S 'Victory' towed into Gibraltar,   H.M.S 'Victory' towed into Gibraltar, watercolour by Clarkson Stanfield. Probably a study for Stanfield's large oil painting of the subject, his second of the Battle of Trafalgar, that he exhibited at the Royal Academy in 1853. HMS Victory, in full starboard view, is towed into Gibraltar by HMS Neptune, seen ahead in starboard stern view, seven days after the battle
27965  
Clarkson Frederick Stanfield, On the Dogger Bank
  		 On the Dogger Bank   1846 Oil on canvas 76.1 x 69.8 cm(30 x 27 1/2in) Victoria and Albert Museum London (mk63)
86666  
Clarkson Frederick Stanfield, St. Michael's Mount, Cornwall
  		 St. Michael's Mount, Cornwall   Oil on canvas cjr
91454  
Clarkson Frederick Stanfield, St. Michael's Mount, Cornwall
  		 St. Michael's Mount, Cornwall   oil on canvas cyf
86333  
Clarkson Frederick Stanfield, The Battle of Trafalgar
  		 The Battle of Trafalgar   19th century Medium Oil on canvas cyf
24311  
Clarkson Frederick Stanfield, The Opening of London Bridge (mk25)
  		 The Opening of London Bridge (mk25)   I August 1831 1832
28214  
Clarkson Frederick Stanfield, Venice:The Dogana and the Salute
  		 Venice:The Dogana and the Salute   1831 watercolour and bodycolour 22.2 cm x 31.8 cm(8 3/4 x 12 1/2 in)British Museum London (mk63)
74993  
Clarkson Frederick Stanfield, Victory
  		 Victory   English: H.M.S 'Victory' towed into Gibraltar, watercolour by Clarkson Stanfield. Probably a study for Stanfield's large oil painting of the subject, his second of the Battle of Trafalgar, that he exhibited at the Royal Academy in 1853. HMS Victory, in full starboard view, is towed into Gibraltar by HMS Neptune, seen ahead in starboard stern view, seven days after the battle. Date Pre-1853 cyf
Clarkson Frederick Stanfield
English Painter, 1793-1867 He is often wrongly referred to as William Clarkson Stanfield. The son of Mary Hoad and James Field Stanfield, an Irish actor and author, he was apprenticed to a heraldic coach painter at the age of 12, but in 1808 he abandoned this and went to sea in a collier. In 1812 he was press-ganged and spent two years on HMS Namur, the guard-ship at Sheerness. After being discharged as the result of an injury in 1814, he joined the merchant navy, sailing to China in the Indiaman Warley in 1815. Soon after his return in 1816 he missed his ship and became a scene painter, first at the Royalty Theatre, Stepney, and then at the Royal Coburg, Lambeth. There he was later joined by David Roberts, who became a lifelong friend, and in 1822 both men were employed as scene painters at the Theatre Royal, Drury Lane. During the next 12 years Stanfield established himself as the most talented scene painter of his day, causing a sensation with some of his huge moving dioramas such as the scenes of Venice in the pantomine Harlequin and Little Thumb (1831). Meanwhile he was building an equally impressive reputation as an easel painter. He first exhibited at the Royal Academy in 1820 and continued to exhibit there regularly until his death. He was elected ARA in 1832 and RA in 1835.



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